Ulfhildurshus
Tradition and myth weaved into existence
Lake Myvatn, Iceland, 2022-2024
Architecture, Landscape Architecture, Medium-Size, Competition
Photo: Render of Front Entrance, done in Revit & Enscape
Ulfhildurshus is a 9-unit guesthouse designed for Vogafjós Farm Resort, located on Lake Mývatn in Northern Iceland. I was asked to design lodging for a local hot spring, and asked for 8-10 residences in the guesthouse, as well as a hot spring on the site as well. This design explored the idea of telling a story of the land and its people through the design of the project and make the invisible become visible, with the building being the bridge between what is natural and what is beyond.
Typography Guesthouse
Location Lake Mývatn, Northern Iceland, Iceland
Photo: Render of Front Entrance, done in Revit & Enscape
Status Design Completed
Client Vogafjós Farm Resort w/ Bee Breeders
Portal to past memories
For the design of the project, four main themes or Partis for the design were explored: The lake itself, the Dimmuborgir, The myth of ulfhildur, and finally the traditional turf house of Iceland.
For the lake parti, Lake Myvatn is a shallow lake created from a volcanic fissure, which created pseudo-craters inside the lake [1]. Surrounding the lake are many volcanoes, as well as the Dimmuborgir, or “Dark Castles”: large lava tubes which resemble ruins of a castle or church [2]. These Dimmuborgir are the second parti explored. For the Ulfhildur parti, it is based on a story connected to Lake Myvatn of Hildur, an elf queen with ten golden rings and a curse on her. To break the curse, a farmhand steals her ring, and she is allowed to return home [3]. Finally, there is the turf house parti, connecting the project to the history of layered turf houses in Iceland, as well as the typology of Icelandic house design [4].
All contributed to the final design, but ultimately the story of Ulfhildur won and became the leading parti for the design.
As well, during this phase, Program bubble diagrams and solar analysis drawings were done to help aid the design and understand the site and building better.
Left Photo: Site Map of nearby points of interest and drawings of each parti.
Left Photo: The site map with the points of interest for the site on it, being overlayed with rings and lines to form the final shape of the building. Each ring drawn on is sized proportionally to the elevation of the landmark.
FLOOR PLAN DESIGN ETHOS
The floor plan consists of a vertical axis for the private realm, with all rooms facing the windward side of the building and capturing the rising sun, while the horizontal axis captures the public realm, with the sauna being the unique space that is both private and public since it occupies both roles simultaneously.
The main hall includes the hot spring, which is fed by the local hot springs and includes geothermal heating in the floors. This will allow the main hall to be open to the elements during the winter, allowing it to further occupy this transparent boundary between the natural and supernatural.
The meditation room is featured below the hot spring, with area for contemplation and a retreat from the world above. Windows on the ceiling create a permeable barrier, allowing light filtered through water to enter the room.
Left Photo: The site map with the points of interest for the site on it, being overlayed with rings and lines to form the final shape of the building. Each ring drawn on is sized proportionally to the elevation of the landmark.
Photos, clockwise from top-left: Basement Plan, Main Floor Plan, Roof Plan and 3D white render of the guesthouse.
Photos Below: Section A-A and Section B-B with human figures for scale.
Photos below: Render of Great Hall, using Enscape, Photoshop and Rhino
Written by Jared McGuire
Top Right Photo: Solar Map of the site, showing prevalent winds, sun path in winter and summer, and sight lines from the site.
Top Left Photo: Program Diagram. Used to help plan connections, locations and area planning early on. A strong focus on axes was placed to ensure a natural understanding of public and private in the building.
Expose the Hidden
The Rings, shown to the right of this text, is the name given to the main theme, or parti, of the design, drawn as a symbol. The symbol features two lines, the natural and supernatural, entering into the ten rings, which after passing through the rings, are made into one line, strengthened by each other and made real. The design focused on the idea of rings allowing us to see the invisible, linking together the natural and supernatural world, and allowing us to connect to this hidden world.
This design idea was done by overlaying rings onto a map of the area’s features, such as the lake, the nearby volcanoes, the hot spring, town and the Dimmuborgir, and then connecting these rings with tangent lines, and compacting this drawing down to fit on the site, therefore creating the shape of the building itself. This was done to make the invisible form of the area become visible, exposing the “hidden realm” aka the elf world that exists under our world.
The ninth ring / that binds us together / and to existence /
a portal between seen and unseen / planes / worldly
and heavenly / are which mirrors the other /
Right Photo: The Rings parti manifests itself in the mountains on the roof, which transform into skylights that peer from the natural world to the supernatural made real.
ROOF DESIGN ETHOS
The roof design connects to three main points: Being a portal between the visible and invisible, connecting the building to the land, connecting it to the people.
As previously mentioned, the form of the building is shaped by the location of the landmarks in the local landscape. The skylights are located on each of these landmarks as well, with the height of each landmark determining the size of the ring. All but the lake ring form ring-shaped pseudo-craters, similar to the pseudo-craters located in the lake, with the lake pseudo-crater being inverted to enforce the feeling of traversing into the hidden elf world.
Two locations of rings on the map were converted into small rolling mounds to view the nearby volcano and lake, with the viewing place matching their ring on the map.
Finally, the roof is covered with turf with a small walkway, connecting the design to the historic torfbæir or turf houses, allowing humans and sheep to enjoy the grass.
The roof was given flat edges as well to give the feeling of the house lifting up from the ground to reveal the hidden world underneath it, while the rolling slope to get onto it was designed for both accessibility reasons, as well as matching the low sloping of the nearby landscape.
The Great Hall’s Hot Spring & The Elf World
The Rings manifest itself in the main hall in three ways: the central skylight to the hot spring, the passage through the pool to enter the building and the ten pillars creating the arcade.
The skylight above represents the lake itself, and connects the sky to the water and then to the elf world beyond. This skylight is the only one that turns inwards rather than outwards on the roof to further enforce this connection.
The passage under the pool is the main entrance, and has the viewer pass through the water barrier to enter an otherworldly realm, the elf world, with light shimmering through the pool above. Wood is used here to give contrast to the water, but also embrace you as you enter.
Photo above: Render of meditation room below the pool.
Lessons, Successes & Shortcomings
Overall, I felt a great pride and joy for this project, due to three main successes:
The success of the design iteration phase to create a compelling, well-researched parti that feels unique, connected to the land and celebrates the community it sits in
The stunning renders and drawings that come from this project
the collaborative nature of the project, with help from researchers, friends, colleges and family
However, I do wish that there was more time to focus on the sustainability of the project, such as program planning and a community garden, as well as a stronger focus on accessibility at the site. While all floors are accessible for people with mobility issues, the main entrance is not, which I would have liked to have had more time to solve.
Bottom Left Photo: View from roof to Main Hall thru glass skylight
Bottom Right Photo: View from pool to meditation room thru glass floor porthole
The ninth ring / that binds us together / and to existence /
a portal between seen and unseen / planes / worldly
and heavenly / are which mirrors the other /